May 2013
10 posts
1 tag
The three versions of El Greco's Christ Driving...
May 16th
3 notes
2 tags
Eight Polaroid photographs by Walker Evans
May 14th
9 notes
2 tags
Nine (more) photographs of burgers, and one (more)...
See also: Nine photographs of burgers by Lisa Ciccarello
May 13th
10 notes
DEAR FRIENDS & FOLLOWERS—SEEKING YOUR ADVICE
What are your preferred translations/translators/editions of Chekhov’s short stories? Message me through Tumblr. Thank you!
May 13th
1 note
3 tags
Imperial Nostalgias—a poem by Joshua Edwards
May 9th
4 notes
May 9th
1 note
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H u m a n A c t i v i t y—a poem by Dot Devota
May 8th
8 notes
6 tags
THE GENESIS OF BOOKS, NO. TWO—The Citizenry of the...
A book of poems is a civic affair. Among other civic rehearsals and performances, a book of poems establishes the bounds of a free country-life, while proclaiming the citizenship of the poet in the free country-life of the poems, as well as the poems. It is comprised of what the poems do—how they behave, barter, interact, undress themselves and each other; the ways they manifest the negative and...
May 7th
3 notes
1 tag
The eight hands in Albrecht Dürer's Christ among...
May 5th
6 notes
3 tags
The camera can create a lovely poem even from...
May 4th
6 notes
April 2013
17 posts
Between 1969 and 1978, the poet Wong May—born in China, raised in Singapore, educated in Singapore and Iowa (MFA, 1968)—published three books of brazen, inflamed, and brilliant poems of both personal and social consequence, that seemed, then as now, thoroughly beyond settlement and compare. A Bad Girl’s Book of Animals (1969), Reports (1972), and Superstitions (1978), were, and are,...
Apr 30th
5 notes
2 tags
The five versions of Arnold Böcklin's Isle of the...
Apr 28th
8 notes
3 tags
Ernest Meissonier's The Barricade (1848), Roger...
Apr 27th
3 notes
2 tags
Eight photographs from David Wojnarowicz's Rimbaud...
Apr 22nd
27 notes
3 tags
Ten collages by Nicholas Lockyer (2012-2013)
Apr 20th
9 notes
3 tags
Kurt Schwitters' The Holy Night by Antonio Allegri...
Apr 19th
7 notes
2 tags
Helen Frankenthaler's Mountains and Sea (1952) &...
Apr 19th
9 notes
1 tag
Five pages from Unica Zürn's Solfège (1960s)
Apr 15th
4 notes
5 tags
My book, PORTUGUESE, is, as a social animal—mineral?—about a month old, and as its poet, its nice to watch it go out, interact with, and fuck up in, the world. Its especially nice to watch how the world goes into, interacts with, and fucks up in it. My favorite response to Portuguese has been, so far, in the form of the above photograph. That’s Anna. She lives in Maine. Next to her is her...
Apr 14th
9 notes
1 tag
The Brain Impressed in Its Oddities—a poem by...
Apr 13th
6 notes
2 tags
Seven photographic portraits of Charles Baudelaire...
Apr 13th
17 notes
3 tags
[POWERS, DOMINIONS.]—a poem by Paul Celan, from...
Apr 10th
6 notes
Nine collages and prints from Cy Twombly's Natural...
Apr 9th
34 notes
2 tags
Eight collages of/from the selected rejection...
Apr 8th
23 notes
WatchWatch
Apr 6th
4 notes
Five paintings by Hilma Af Klint (1862–1944)
Apr 3rd
9 notes
Three sets of paintings by Francisco Goya and...
Apr 2nd
3 notes
March 2013
19 posts
Ten pages from Katsushika Hokusai's block-printed...
Mar 31st
2 notes
Four paintings—Rosy-Fingered Dawn at Louse Point...
Mar 30th
6 notes
Five portraits of Guillaume Apollinaire—by Asger...
Mar 30th
4 notes
Sandra Botticelli's La Derelitta (1495) & Vincent...
Mar 22nd
4 notes
Four renditions of The Crucifixion—by Giotto di...
Mar 22nd
2 notes
Saint Sebastian by Camille Corot (1850-1855) &...
Mar 17th
5 notes
La Mosquée and Paysage algérien—two paintings by...
Mar 17th
1 note
The novice worries on the monastery wall—a poem by...
Mar 15th
5 notes
WHILE RIDING THE BUS TO SCHOOL ON THE FIRST DAY OF FIRST GRADE, September 1984, I started writing a poem. Or rather, a poem started writing itself. The poem was called “Portuguese.” It was largely unintelligible. It was, in fact, a collaboration between me and a fourth grader whom I did not know. All the words—or word—were his. All the feelings were mine. Now, more than twenty-eight...
Mar 12th
5 notes
Mar 12th
173,971 notes
Eight collages from Terry Winters' Notebook...
Mar 12th
4 notes
SPENDING SOME PART OF THE COMING WEEKS doing things I often and rarely do, that is traveling with friends (often) and reading (rarely), in low-light and high, poems and prose and whatever I find most or least suitable of the scraps gathering shit and sunshine. Here’s a list of where I’ll be, confirmed—that is, not including kitchen tables, graveyards—and with whom, who are, let me...
Mar 11th
2 notes
Five moments of black and gray in Edouard Manet's...
Mar 9th
20 notes
Mar 8th
1 note
Jean-François Millet's The Sower (1850) and Robert...
Mar 8th
Essays in Idleness (Tsurezuregusa)—five surimono...
Mar 8th
1 note
SPENDING SOME PART OF THE COMING WEEKS doing things I often and rarely do, that is traveling with friends (often) and reading (rarely), in low-light and high, poems and prose and whatever I find most or least suitable of the scraps gathering shit and sunshine. Here’s a list of where I’ll be, confirmed—that is, not including kitchen tables, graveyards—and with whom, who are, let me...
Mar 6th
3 notes
Nine Color Studies for Homage to the Square, by...
Mar 5th
3 notes
Since 2008 I’ve been making work—drawings, poems, prose, travel notes, questionnaires, transcriptions, limited edition sketchbooks—under the name, THE GRAVE ON THE WALL. Some of these have appeared in books (The Grave on the Wall; Portuguese) and magazines (Action Yes; Fence; New American Writing); in one instance, on my friend’s left arm. Ten typewritten pages from The Grave are...
Mar 1st
4 notes
February 2013
18 posts
Seven Insomnia Drawings by Louise Bourgeois
Feb 27th
20 notes
Six moments in The Procession to Calvary, by...
Feb 25th
1 note
Spleen (8)—a poem by Wong May (from Superstitions:...
Feb 24th
4 notes
Feb 22nd
2 notes